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Oil Paintings
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An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Luis de Morales (1510 - 9 May 1586) was a Spanish painter born in Badajoz, Extremadura. Known as "El Divino", most of his work was of religious subjects, including many representations of the Madonna and Child and the Passion.
Influenced, especially in his early work, by Raphael Sanzio and the Lombard school of Leonardo, he was called by his contemporaries "The Divine Morales", because of his skill and the shocking realism of his paintings, and because of the spirituality transmitted by all his work.
His work has been divided by critics into two periods, an early stage under the influence of Florentine artists such as Michelangelo and a more intense, more anatomically correct later period similar to German and Flemish renaissance painters
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Luis de Morales Virgin and Child Date from 1560(1560) until 1570(1570)
Medium Oil on canvas
Dimensions 85 x 64 cm (33.5 x 25.2 in)
cjr
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Luis de Morales Virgin and Child with a Spindle Date between 1567(1567) and 1569(1569)
Medium Oil on oak
Dimensions Height: 49 cm (19.3 in). Width: 33 cm (13 in).
cjr
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Luis de Morales Virgin and Child from 1560(1560) until 1570(1570)
Medium Oil on canvas
Dimensions 85 x 64 cm (33.5 x 25.2 in)
cyf
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Luis de Morales Virgin and Child with a Spindle between 1567(1567) and 1569(1569)
Medium Oil on oak
cyf
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Luis de Morales Madonna with the Child 1570s
Medium oil on panel
cyf
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Luis de Morales Christ Carrying the Cross 1566(1566)
Medium oil on panel
cyf
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Luis de Morales
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(1510 - 9 May 1586) was a Spanish painter born in Badajoz, Extremadura. Known as "El Divino", most of his work was of religious subjects, including many representations of the Madonna and Child and the Passion.
Influenced, especially in his early work, by Raphael Sanzio and the Lombard school of Leonardo, he was called by his contemporaries "The Divine Morales", because of his skill and the shocking realism of his paintings, and because of the spirituality transmitted by all his work.
His work has been divided by critics into two periods, an early stage under the influence of Florentine artists such as Michelangelo and a more intense, more anatomically correct later period similar to German and Flemish renaissance painters
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